Tokyo: My family's shrine is very big (1-395).

Summary

Nagayama Yuuzuru and Kurosawa Wu experience strange energy fluctuations when Yue Ying Qian Dai Zi reveals a key, pulling them into a bizarre space. As they begin an interview, Yue Ying Qian Dai Zi recounts her past, revealing her birth coincided with her father's death during the Kanto earthquake. She reminisces about her mother's disapproval of her acting career, which was frowned upon at the time. The scene shifts to a confrontation between her mother and a chairman, reflecting her struggles. As the memories unfold, Yue Ying Qian Dai Zi flees from the argument, prompting Nagayama Yuuzuru and Kurosawa Wu to follow her into a snowy street where she meets a mysterious man. This man expresses a desire to paint in his snowy hometown, and their budding connection is interrupted by officials searching for him. Chiyoko, the maiden, bravely misdirects the officials to help him escape, leading to a deeper bond between them. As the night progresses, the man reveals his aspirations to improve the country, touching Chiyoko's heart. However, their moment is cut short as she must return home. The next day, she discovers bloodstains and the man's key, leading her to a warehouse surrounded by officials. The steward urges her to find the man before it's too late. Yue Ying Qian Dai Zi rushes to the station, but the train departs, leaving her heartbroken. Meanwhile, Nagayama Yuuzuru and Kurosawa Wu are drawn into her memories, witnessing her determination and the unfolding drama. In her hometown, she faces bandits during a film shoot, and Nagayama Yuuzuru takes charge, leading to chaos. The scene shifts dramatically to a castle under siege, where Yue Ying Qian Dai Zi's outfit transforms, and she seeks the man she cares for, only to find him dead, leaving her devastated.

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