I Am Not The God Of Acting.

Summary

Cheng Ling experiences a transformative moment as he recalls memories while singing a ballad, feeling both familiar and detached. His master appears, warning him about the dangers of becoming an observer, emphasizing the importance of maintaining his humanity. As the master departs, Cheng Ling discovers a Dao Foundation fragment, which connects him to a hidden realm. This newfound power brings forth a massive realm in the void, surprising even the abstract face of the second hall. The narrative explores themes of identity, memory, and the consequences of detachment in a theatrical context.

Full content